Dancing Under The Stars
An Exclusive Ballet Performance for Tucker’s Point Club
Date: Thursday, July 17
Location: The Croquet Lawn
Join us for a truly unique and spectacular evening under the stars on the Croquet Lawn, as seven internationally acclaimed dancers from The Royal Ballet, English National Ballet, and Hungarian National Ballet present an unforgettable performance celebrating the power and beauty of dance.
Now, thanks to the vision and support of Tucker’s Point Club, this extraordinary company of dancers has been brought to Bermuda. During their stay, they will not only perform but also teach, with a mission to uplift Bermuda’s cultural identity, foster global artistic exchange, and mentor local students through a series of workshops, classes, and performances.
Evening Program
Date: Thursday, July 17
Location: The Croquet Lawn
Evening Program:
Champagne Barons De Rothschild served on arrival– 6:00 PM
Sponsored by The Tasting Room
Chef-Curated Buffet Selection in the Breezeway from 6:15 PM
Royal Ballet Performance – 8:00 PM to 9:30 PM
Pricing
Individual Adult: $260
Children under 12: $100
Corporate table 8 adults – $2,000
(Ticket price breakdown on $260 – $146.25 pp dinner inc. grats | $113.75 pp towards event cost)
This is a non-profit event. Proceeds will support the cost of international flights for the dancers, staging, lighting, tent contingency, and all food and beverage.
Meet the Dancers
Ravi Cannonier-Watson
Dancer, The Royal Ballet (UK)
Instagram: @Rajcwatson
READ BIO
Ravi Cannonier-Watson is a trailblazing Bermudian ballet dancer who began his training at the Russian School of Ballet in Bermuda under Corral Waddell and Catina Woodley, with guidance from Madame Patricia Gray. At age 11, he joined The Royal Ballet School in London, becoming the first Bermudian to complete its full eight-year program. Ravi’s dedication and talent led to his appointment as Head Boy in Year 11 and culminated in his joining The Royal Ballet in 2024, marking a significant milestone for Bermudian representation in the global ballet community.
Precious Adams
First Soloist, English National Ballet (UK)
Instagram: @Preciousagram
READ BIO
Precious Adams is an American ballet dancer from Canton, Michigan, currently serving as a First Soloist with the English National Ballet. Her extensive training includes the Academy of Russian Classical Ballet in Michigan, Canada’s National Ballet School, the Princess Grace Academy in Monaco, and the Bolshoi Ballet Academy in Moscow. Adams joined the English National Ballet in 2014 and has since been promoted through the ranks, achieving the position of First Soloist in 2024. She is renowned for her advocacy for diversity in ballet and her decision to wear tights that match her skin tone on stage, challenging traditional norms in the ballet world.
Maia Rose Roberts
Artist with Zürich Ballet (Switzerland)
Instagram: @Maia.rose.roberts
READ BIO
Maia Rose Roberts is a British-Spanish ballet dancer who trained at the Royal Ballet School in London. She has performed with both the Royal Ballet and Ballett Zürich. In the 2024/25 season, she joined the Junior Ballet at Zürich Opera House, where she continues to develop her artistry under the guidance of renowned choreographers.
Sacha Venkatasawmy
Dancer, English National Ballet (UK)
Instagram: @sacha.venkatasawmy
READ BIO
Sacha Venkatasawmy is an American ballet dancer currently performing with the English National Ballet. He is celebrated for his powerful stage presence, elegant line, and versatility in both classical and modern roles. Venkatasawmy’s performances reflect a deep commitment to storytelling through movement.
Jakob Wheway Hughes
Prix de Lausanne 2025 Gold Medalist (UK)
Instagram: @jakobwheway
READ BIO
Jakob Wheway Hughes is a gifted young British dancer who achieved international acclaim by winning three prestigious awards at the 2025 Prix de Lausanne: the Contemporary Dance Award, the Web Audience Favorite Award, and the Aud Jebsen Scholarship. Trained at Tring Park School for the Performing Arts, Jakob is celebrated for his fluid athleticism, nuanced artistry, and deep commitment to his craft. He represents the exciting future of ballet.(Dance Informa Magazine, United Kingdom)
Emerson Gamble
Hungarian National Ballet
Instagram: @thesecondgambleboy
READ BIO
Emerson Gamble is a contemporary ballet artist from Canada whose technical command and creative expression have gained him recognition on the international stage. With a background in both classical and neoclassical forms, Gamble bridges the tradition of ballet with the innovation of modern dance.
Vidya Cannonier-Watson
Graduate, English National Ballet School (UK)
Instagram: @bermuda_ballerina
READ BIO
Vidya Cannonier-Watson, Ravi’s sister, is an accomplished Bermudian dancer who began her ballet journey at the Bermuda School of Russian Ballet. At age 10, she earned a place at Tring Park School for the Performing Arts in the UK. In 2025, Vidya was accepted into the English National Ballet School’s graduate program, a testament to her exceptional skill and dedication. Her training combines rigorous academic and professional experiences, preparing her for a promising career in a top-tier ballet company.
Penelope Barker
Student, Blommaert Ballet School & Royal Ballet School Mid-Associates (UK)
Instagram: @pointeshoesandpassports
READ BIO
At just 10 years old, Bermudian-born Penelope Barker made history as the youngest dancer to perform the lead role of Marie in Neglia Ballet’s The Nutcracker at Shea’s Performing Arts Center in Buffalo, NY. Her remarkable talent has been recognized with a scholarship from the Dancing Angels Foundation, enabling her to attend Neglia Ballet’s summer intensive. In September, Penelope will advance her training at Blommaert Ballet School and join the Royal Ballet School’s prestigious Mid-Associate Programme in London.
Performances to include:
"Paquita"
Performed by Ravi Cannonier-Watson & Maia Rose Roberts
Rehearsed by Steve McCrea
Choreography by Marius Petipa (after Joseph Mazilier)
Music by Ludwig Minkus
A jewel of 19th-century classical ballet, Paquita was originally choreographed by Joseph Mazilier and premiered in 1846 at the Paris Opera. The version most often performed today—especially the Paquita Grand Pas Classique—was staged by Marius Petipa in 1881 for the Imperial Ballet in St. Petersburg, with additional music by Ludwig Minkus.
Known for its dazzling technique, regal style, and brilliant ensemble work, Paquita is a favorite among ballet companies worldwide. The Grand Pas is often performed independently as a gala piece, showcasing the precision and elegance of classical ballet.
“Blue Bird” Pas de Deux, From The Sleeping Beauty
Performed by Vidya Cannonier-Watson and Jakob Wheway Hughes
Choreography by Marius Petipa
Music by Pyotr Ilyich Tchaikovsky
This enchanting pas de deux appears in Act III of The Sleeping Beauty, one of the most beloved ballets in the classical repertoire. Choreographed by Marius Petipa and set to the iconic score of Pyotr Ilyich Tchaikovsky, the “Blue Bird” pas de deux is performed during the wedding celebration of Princess Aurora and Prince Désiré, where fairy tale characters are invited to dance.
The variation features Princess Florine and the Blue Bird, showcasing shimmering footwork, soaring jumps, and lyrical grace. The Blue Bird’s choreography, in particular, is celebrated for its rapid batterie and buoyant allegro, making it a technical tour de force and a visual delight.
First premiered in 1890 at the Mariinsky Theatre in St. Petersburg, The Sleeping Beautyremains a cornerstone of classical ballet, with the “Blue Bird” pas de deux serving as one of its most dazzling highlights.
"Diana and Acteon” (Solo Variation)
Performed by Emerson Gamble
Choreography by Agrippina Vaganova (after Petipa)
Music by Riccardo Drigo
Originally created as a pas de deux for the ballet La Esmeralda, the Diana and Acteon solo has become a staple of the classical ballet gala repertoire. Though loosely inspired by the mythological tale of the huntress goddess Diana and the mortal Acteon, this variation is more a showcase of technical prowess and fiery character than narrative storytelling.
Set to the dynamic score of Riccardo Drigo, the solo features powerful jumps, swift footwork, and commanding presence—highlighting the strength, grace, and athleticism of the dancer portraying the goddess of the hunt.
Kitri’s Wedding Variation, From Don Quixote
Performed by Penelope Barker
Choreography by Marius Petipa
Music by Ludwig Minkus
This vibrant variation appears in Act III of Don Quixote, during the joyful wedding of Kitri and Basilio. Choreographed by Marius Petipa to the lively score of Ludwig Minkus, it is a sparkling showcase of classical technique and Spanish flair.
Kitri’s variation features crisp footwork, dazzling turns, and playful épaulement, often performed with a fan to highlight her fiery spirit. Radiating joy and confidence, it is a favorite among dancers and audiences alike.
First performed in 1869 at the Bolshoi Theatre, Don Quixote remains a beloved classic, with this variation standing as one of its most spirited highlights.
Les Bourgeois
Performed by Sacha Venkatasawmy, Ravi Cannonier-Watson, and Emerson Gamble
Choreography by Sacha Venkatasawmy
Music by Jacques Brel
This charismatic men’s contemporary piece, set to the iconic chanson “Les Bourgeois” by Jacques Brel, was choreographed especially for this event by Sacha Venkatasawmy. Playful, bold, and richly expressive, the solo explores themes of rebellion, identity, and irony through dynamic movement and theatrical nuance.
Performed by Sacha Venkatasawmy, Ravi Cannonier, and Emerson Gamble, the piece blends sharp gestures, fluid transitions, and character-driven storytelling to bring Brel’s satirical lyrics to life.
Full of wit and physicality, Les Bourgeois is a standout contemporary work that invites both laughter and reflection.
Creature (Solo)
Performed by Ravi Cannonier-Watson
Choreography by Akram Khan
Music by Vincenzo Lamagna
This powerful solo is drawn from Creature, a full-length contemporary ballet choreographed by Akram Khan. Set to a haunting score by Vincenzo Lamagna, the work explores themes of isolation, control, and resilience in the face of institutional power.
Danced by Ravi Cannonier, the solo is both raw and refined—combining grounded, visceral movement with emotional intensity. Khan’s signature style, rooted in kathak and contemporary dance, gives the piece a unique physical language that is both human and otherworldly.
Creature is a poignant and demanding work, and this solo captures its emotional core with striking clarity.
Ashes (Solo)
Performed by Maia Rose Roberts
Choreography by Jason Kittelberger
Ashes is a powerful contemporary solo that explores themes of grief, loss, and transformation. Originally created for the Lynn Seymour Award for Expressive Dance at The Royal Ballet School, the piece is noted for its emotional depth and lyrical movement vocabulary.
Danced by Maia Rose Roberts, the solo unfolds with quiet intensity and raw vulnerability, blending moments of stillness with sweeping phrases and grounded strength. Kittelberger’s choreography demands both technical control and emotional nuance, offering a deeply human portrait of resilience rising from sorrow.
Ashes is a poignant and moving work that highlights the expressive power of contemporary dance.
‘Caprice’
Performed by: Vidya Cannonier-Watson
Choreographed by: Christopher Hanson
Caprice is a lively solo dance that balances precision with spontaneity, exploring shifting moods through quick changes and nuanced movement. Vidya Cannonier-Watson brings Hanson’s choreography to life with technical skill and expressive freedom, creating a playful yet thoughtful performance. Inspired by both classical and contemporary dance, the piece captures the whimsical spirit suggested by its title, offering an engaging glimpse into emotional contrasts.
‘Champagne Barons De Rothschild’ sponsord by
